‫ﻥ ﺍﻹﺨﺘﻼﻁ ﻭﺍﻝﻼﺍﺴﺘﻘﺭﺍﺭ ﻫﻤﺎ ﺍﻝﻭﻀﻌﻴ‪‬ﺔ‬ ‫ﻋﻠﻰ ﻤﺸﻐﻠ ِﺔ ﺍﻨﺯﻴﺎﺤﻬﺎ ﺘﺤﺕ ﻭﺍﺠﻬ ٍﺔ ﻫﺎﺩﺌ ٍﺔ ﻝﻠﻭﺤﺩﺓ ﻭﺍﻹﺘﹼﺴﺎﻕ‪ .‬ﺇ ‪‬‬ ‫ﺕ ﺍﻝﻨﹼﺤ ِﻭ ﺘﺴﺒﻕ‪ ،‬ﻋﻨﺩ ﺍﺒﻥ‬ ‫ﺹ ﻗﺩ ﺘ ‪‬ﻡ ﺘﺤﻠﻴﻠﻪ ﺃﻡ ﻻ‪ .‬ﻋﻠﻰ ﺫﺍ ِ‬ ‫ﻱ ﻨﺹ‪ ،‬ﺩﻭﻥ ﺍﻋﺘﺒﺎ ٍﺭ ﻝﻤﺎ ﺇﺫﺍ ﻜﺎﻥ ﺫﺍﻙ ﺍﻝ ﹼﻨ ‪‬‬ ‫ﺍﻝﻤﺴﺒﻘﺔ ﻷ ‪‬‬ ‫ﻰ‬ ‫ل ﻜﻼ ٍﻡ ﺫﻱ ﻤﻌﻨ ‪‬‬ ‫ﻥ ﺃﻭ ﺍﻝﻤ‪‬ﻌﺘﺯ���ﺔِ‪ ،‬ﻝﻘﻭ ِ‬ ‫ل ﺍﻷﺸﻌﺭﻴ‪‬ﻴ ‪‬‬ ‫ﻱ ﻤﺤﺎﻭﻝﺔٍ‪ ،‬ﻤﻥ ﻗِﺒ ِ‬ ‫ﻋﺭﺒﻲ‪ ،‬ﻁﺒﻴﻌ ﹸﺔ ﺍﷲِ‪ ،‬ﺍﻝﻤﺤﻴﺭ ﹸﺓ ﺠﻭﻫﺭﻴ‪‬ﺎ ً‪،‬ﺃ ‪‬‬ ‫ل ﺍﻝﻜﻭﻥ" )ﺠﻴﺘﻴﻙ ‪338 :1989‬؛‬ ‫ﺕ ﻓﻲ ﺩﺍﺨ ِ‬ ‫ﻑ ﻓﻲ ﺍﻝﻤ‪‬ﻌﺘﻘﺩﺍ ِ‬ ‫ل ﺨﻼ ٍ‬ ‫ﻥ ﺍﻝﻠﹼﻪ ﻫﻭ ﺠﺫ ‪‬ﺭ ﹸﻜ ﱢ‬ ‫ﻲ ﻋﻥ ﺍﷲ‪" -:‬ﺇ ‪‬‬ ‫ﺍﺘﹼﺴﺎﻗ ‪‬‬ ‫ﺱ ﻤﺘﻘﺩ‪‬ﻤﹰﺎ‬ ‫ﻲ ﻤﻌﹰﺎ ﻴﺒﺩﻭ ﺍﻹﺨﺘﻼﻁ ﻭﺍﻹﻝﺘﺒﺎ ‪‬‬ ‫ﻴﺤﻴﻰ‪ .(25 . 465 . 111 :‬ﻫﺫﺍ ﻴ‪‬ﺭﻴﻨﺎ ﺃﻨﹼﻪ ﻝﺩﻯ ﺩﺭﻴﺩﺍ ﻭﺍﺒﻥ ﻋﺭﺒ ‪‬‬ ‫ﻕ(‬ ‫ﻱ ﻤﺤﺎﻭﻝ ٍﺔ ﻝﺘﺸﻜﻴل ﻨﻅﺎ ٍﻡ ﻤﺎ‪ .‬ﻭﻓﻲ ﺫﻝﻜﹸﻡ ﺍﻋﺘﻘﺎﺩ‪ ‬ﻴﺅﺩ‪‬ﻯ‪ ،‬ﺤﺘﻤ ‪‬ﻴﺎﹰ‪ ،‬ﺇﻝﻰ ﺘﻔﻌﻴ ِﻡ ﺍﻝﺭ‪‬ﻏﺒ ِﺔ )ﺍﻝﺘﹼﻭ ِ‬ ‫ﻋﻠﻰ‪ ،‬ﻭﻜﺎﺌﻨﹰﺎ ﺘﺤﺕ‪،‬ﺃ ‪‬‬ ‫ﻕ‪ -‬ﻤﻊ‪ -‬ﺍﻝﺫﹼﺍﺕ "‬ ‫ﺼﺩ‪ِ ‬‬ ‫ﻕ ﻭﺸﺠﺎﻋ ٍﺔ )ﻭﻗﺩ ﻴ‪‬ﺫﻜﹼﺭﻨﺎ ﻫﺫﺍ ﺒـ"ﺍﻝ ‪‬‬ ‫ﻁ( ﺒﻌﻨﺼ ِﺭ ﺼﺩ ٍ‬ ‫ﺱ )ﺍﻹﺨﺘﻼ ِ‬ ‫ﻓﻲ )ﺇﻝﻰ( ﺍﻹﻝﺘﺒﺎ ِ‬ ‫ﻥ ﺃﻜﺜ ‪‬ﺭ "ﺤﻘﻴﻘ ‪‬ﻴ ﹰﺔ"‪ ،‬ﺃﻜﺜ ‪‬ﺭ ﺍﻝﺘﺒﺎﺴﹰﺎ ﻭﻻﻨﺘﻔﺎ ِﺀ ﺍﻹﺴﺘﺴﻼ ِﻡ ﻝﻐﻭﺍﻴ ِﺔ ﺒﻨﺎﺀ‬ ‫ل ﻝﻠﺸﺅﻭ ِ‬ ‫ﺼ ِﺭ ﺤﺎ ٍ‬ ‫ﻙ ﻫﻲ ﺍﻝﺭ‪‬ﻏﺒ ﹸﺔ ﻝﺘﺒ ‪‬‬ ‫ﺸ ِﻭﻱ‪ .(‬ﺘﻠ ‪‬‬ ‫ﺍﻝ ﹼﻨﻴ‪‬ﺘﹾ ﹶ‬ ‫ﻅ ﻝﻺﻝﺘﺒﺎﺱ )ﺍﻹﺨﺘﻼﻁ(‪ ،‬ﻓﻲ ﺤﺎﻝ ِﺔ ﺩﺭﻴﺩﺍ‪ ،‬ﺒﺄﺠﻠﻰ‬ ‫ﻥ ﻫﺫﺍ ﺍﻝﺘﹼﻘﺭﻴ ﹸ‬ ‫ﺍﻷﻨﻅﻤﺔ ﺍﻝﻌﻘﻠﻴ‪‬ﺔ )ﺍﻝﻔﻠﺴﻔﻴ‪‬ﺔ( ﺍﻝﻜﻼﻨﻴ‪‬ﺔ‪ .‬ﻴ‪‬ﻌﺎﻴ ‪‬‬ ‫ل ﻜﺘﺒﻪ ﻓﻲ ﻋﺎﻡ ‪ 1985‬ﻭﺴﻤ‪‬ﺎﻩ‬ ‫ﻭﻀ‪‬ﻭﺡٍ‪ ،‬ﻓﻲ ﻤﻘﺎ ِ‬ ‫"‪."Des Tours de Babel‬‬ ‫ﻤﻘﺎ ُل ﺩﺭﻴﺩﺍ ﻋﻥ ﺒﺎﺒل ‪Des Tours de Babel‬‬ ‫ل ﻝﻤﻘﺎﻝ ِﺔ ﺒﻨﺠﺎﻤﻴﻥ ﺍﻝﺸﻬﻴﺭﺓ ﻋﻥ ﺍﻝﺘﺭﺠﻤﺔ ﻭﺍﻝﻤﻭﺴﻭﻤﺔ‬ ‫ﻥ ﺍﻝﻤﻘﺎﻝ ِﺔ ﺍﻝﻤﻌﻨﻴ‪‬ﺔ‪ -‬ﺍﻝﻤﻨﻁﻭﻴﺔ ُ ﻋﻠﻰ ﺘﺤﻠﻴ ٍ‬ ‫ﻴ‪‬ﻅﻬﺭ‪‬ﻋﻨﻭﺍ ‪‬‬ ‫ﺒـ"ﻤﻬﻤ‪‬ﺔ ﺍﻝﻤﺘﺭﺠﻡ"‪ -‬ﻤ‪‬ﻔﺎﺭﻗ ﹰﺔ ﺠﻠ ‪‬ﻴ ﹰﺔ‪) .‬ﺫﻝﻜﻡ ﻤﻊ ﺼﺭﻑ ﺍﻝﻨﹼﻅﺭ ﺍﻝﺘﹼﺎﻡ ﻋﻥ ﺍﻝﻠﹼﺒﺱ ﺍﻝﺫﻱ ﻴﻜﺘﻨﻑ ﻋﺒﺎﺭﺓ " ‪"Des‬‬ ‫ﺙ ﻤﺎ ﻋﻨﻰ ﺒﻬﺎ ﺍﻝﻤﺅﻝﻑ ﻓﻲ ﺍﺴﺘﻌﻤﺎﻝﻪ ﻝﻬﺎ‪ :‬ﻫل ﻫﻲ ﺘﻌﻨﻰ‪ ،‬ﻓﻲ‬ ‫‪Tours‬ﺍﻝﻭﺍﺭﺩﺓ ﻓﻲ ﺍﻝﻌﻨﻭﺍﻥ ﺇﻴ‪‬ﺎﻩ ﻤﻥ ﺤﻴ ﹸ‬ ‫ﻑ ﺃﻭ ﺍﻨﻌﻁﺎﻑ؟(‬ ‫ﺽ ﺍﻨﺤﺭﺍ ِ‬ ‫ﺽ ﺒﺭﻭﺝِ؟ ﺒﻌ ‪‬‬ ‫ﺘﺨﺭﻴﺠﻪ‪" ،‬ﺒﻌﺽ ﺨﺩﻉ"؟ ﺒﻌ ‪‬‬ ‫ﺙ ﻋﻥ ﺴﻔﺭ ﺍﻝﺘﻜﻭﻴﻥ )‪-1:11‬‬ ‫ﺏ ﻋﻠﻰ ﻤﻘﺎل ﺩﺭﻴﺩﺍ ﺤﻭل ﺍﻝﺘﹼﺭﺠﻤ ِﺔ ﺃﻥ ﻴﺒﺩﺃ ﺒﺤﺩﻴ ٍ‬ ‫ﺠ ِ‬ ‫ﻜﺎﻥ ﻤﻥ ﺍﻝﻤﺘﻭ ‪‬‬ ‫ﻲ‬ ‫‪ ،(9‬ﻋﻥ ﺩﻤﺎﺭ ﺒﺭﺝ ﺒﺎﺒل ﺍﻝﺫﻱ ﻜﺎﻥ‪ ،‬ﻓﻲ ﺫﺍﺕ ﺍﻝﺤﻴﻥ‪ ،‬ﺇﻴﺫﺍﻨﹰﺎ ﺒﻤﻴﻼ ِﺩ ﺍﻝﻤﺘﺭﺠﻡ‪/‬ﺍﻝﻤﻔﺴ‪‬ﺭ ﻭﺍﻝﺤﺩﺙ ��ﻹﺜﻨﻭﻝﻭﺠ ‪‬‬ ‫ﻥ ﻤِﻥ ﺃﺸ ‪‬ﺩ ﺍﻷﺸﻴﺎ ِﺀ ﻝﻔﺘﹰﺎ ﻝﻺﻨﺘﺒﺎ ِﻩ ﺍﻝﻤﺒﺎﺸﺭ ﻓﻲ‬ ‫ﺍﻝﻀﺎﺭﺏ ﻓﻲ ﺍﻝﻌﺭﺍﻗﺔ ﺍﻝﺫﻱ ﺠﻌل ﺍﻝﺘﺭﺠﻤﺔ )ﺍﻝﻤ‪‬ﻔﺴ‪‬ﺭ ﹶﺓ( ﻤﻤﻜﻨ ﹰﺔ‪ .‬ﺇ ‪‬‬ ‫ﺫﺍﻙ ﺍﻝﻤﻘﺎل )‪ (De Tours de Babel‬ﻫﻲ ﺘﻠﻙ ﺍﻝﻁﺭﻴﻘﺔ ﺍﻝﺘﻲ ﻴ‪‬ﻌﻴ ‪‬ﺩ ﺒﻬﺎ ﺩﺭﻴﺩﺍ ﺘﻔﺴﻴﺭ ﺤﻜﺎﻴﺔ )ﺤﺩ‪‬ﻭﺘﺔ( ﺒﺎﺒل‪،‬‬ ‫ل ﺫﻝﻙ‬ ‫ﻤﺴﺘﺨﺩﻤﹰﺎ ﻋﺒﺎﺭﺍﺘﻪ ﺍﻝﺨﺎﺼﺔ‪ .‬ﻓﻬﻭ ﻴﺭﻭﻱ‪ ،‬ﻤﻥ ﺠﺩﻴﺩٍ‪ ،‬ﺘﻠﻙ ﺍﻝﻘﺼﺔ ﺍﻝﻭﺍﺭﺩﺓ ﻓﻲ ﺍﻝﻌﻬﺩ ﺍﻝﻘﺩﻴﻡ ﻤﺜﻠﻤﺎ ﻗﺩ ﻴﻔﻌ ُ‬ ‫ﻲ‬ ‫ﺏ ﺍﻝﻔﺼل ﺍﻝﻤﻌﻨ ‪‬‬ ‫ﺢ )ﻤﻥ "ﻤﺴﻴﺤﻴ‪‬ﺔ"( ﺍﻷﻤﻭ ‪‬ﺭ ﻫﻨﺎ ﻜﺫﺍﻙ‪ ،‬ﻴ‪‬ﺭ ﹼﻜ ‪‬‬ ‫ﺴ‪‬‬ ‫ﻤ‪‬ﺼ ﹼﻨﻑﹲ ﻤﻥ ﺍﻝﻌﺼﻭﺭ ﺍﻝﻭﺴﻁﻰ‪ .‬ﻝﻜﻨﹼﻪ ﻻ ﻴ‪‬ﻤ ‪‬‬ ‫ﻤﻥ ﺴﻔﺭ ﺍﻝﺘﻜﻭﻴﻥ ﻋﻠﻰ ﻫﻴﺌ ِﺔ ﻤﺎ ﺒﻌ ِﺩ‪ -‬ﺒ‪‬ﻨﺎﺌ ٍﻴّﺔ ﻜﻲ ﻴ‪‬ﺤﻭ‪‬ﻝ ‪‬ﻪ ﺇﻝﻰ ﺃﻤﺜﻭﻝ ٍﺔ ﺘﻔﻜﻴﻜﻴ‪‬ﺔ‪ .‬ﻓﺎﻝﺠﺯﺀ ‪ 9-1 :11‬ﻤﻥ ﺴﻔﺭ‬ ‫ﻁ ِﻜ ‪‬ﺒ ‪‬ﺭ ‪‬ﻩ ﺒﻔﻌل ﺍﻝﻘﺩﺭﺓ ﺍﻝﻜﻠﻴ‪‬ﺔ ﷲ ﻭﺇﻨﹼﻤﺎ‪ ،‬ﻜﺫﻝﻙ‪،‬‬ ‫ﺼ ٍﺔ ﻋﻥ ﺯﻫﻭ ﺍﻹﻨﺴﺎﻥ ﺍﻝﺫﻱ ﺃُﺤ ِﺒ ﹶ‬ ‫ﺍﻝﺘﻜﻭﻴﻥ ﻻ ﻴ‪‬ﻌ ‪‬ﺩ ﻫﻨﺎ ﻤﺠﺭ‪‬ﺩ ﻗ ‪‬‬ ‫‪6‬‬ ‫‪Société Soudanaise des Etudes et Recherches en Arts, Lettres et Sciences Humaines‬‬ ‫‪Sudanese Society for Research in Arts and Humanities‬‬ ‫ا  
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