‫ﺸﺘﹼﻰ‬ ‫ﺕ ﺍﻝ ﹼ‬ ‫ﻥ ﻓﻲ ﻏﻴ‪‬ﻬﻡ"‪ ،‬ﻴﺼﻴﺭﻭﻥ ﻓﺠﺄﺓﹰ‪ ،‬ﺭﻏﻡ ﺍﻝﻭﻓﺭﺓ ﺍﻝﻤﺭﺒﻜﺔ ﻷﺼﻨﺎﻤﻬﻡ ﺫﺍﺕ ﺍﻝﻤﺴﻤ‪‬ﻴﺎ ِ‬ ‫ﻙ "ﺍﻝﻌﺎﻤﻬﻴ ‪‬‬ ‫ﺍﻷﻭﺜﺎﻥ‪ ،‬ﺃﻭﻝﺌ ‪‬‬ ‫)ﻭﺍﺩٍ‪ ،‬ﺼﻭﺍﻥ‪ ،‬ﻴﺎﻗﻭﺕ )ﺃﻭ ﻴﺎﻏﻭﺙ( ﻭﻴﺎﻭﻕ‪ -‬ﻨﺼﺭ ‪ ،(23 :71‬ﻤﻨﻌﻭﺘﻴﻥ‪ ،‬ﻝﺩﻯ ﺍﺒﻥ ﻋﺭﺒﻲ‪ ،‬ﺒﺄﻨﹼﻬﻡ ﻤﺘﻌﻬ‪‬ﺩﻱ ﺤﻴﺭﺓ‬ ‫ﺕ ﺒﻌ ٍﺩ ﻭﺍﺤ ٍﺩ ﻓﺤﺴﺏ‪‬‬ ‫ﷲ ﺫﺍ ِ‬ ‫ل ﻤﺘﺸﺒ‪‬ﺜ ﹰﺔ ﺒﺭﺅﻴ ٍﺔ ِ‬ ‫ﻑ ﺒﺄﻨﹼﻪ ﻫﻴﺌﺔﹲ ﺒﺸﺭ ‪‬ﻴﺔﹲ ﻻ ﺘﺯﺍ ُ‬ ‫ﺭﻭﺤﻴﺔ ﻓﻴﻤﺎ ﻴﻨ ‪‬ﺩ ﺫﻝﻙ ﻋﻥ ﻨﻭﺡ ﺍﻝﻤﻭﺼﻭ ﹶ‬ ‫ﺇﺫ ﻻ ﺘﻜﻥ ﻤﺘﻌﻠﻘ ﹰﺔ ﺇﻻ ﺒﺎﻝﻭﺠ ِﻪ ﺍﻝﻤﺘﻌﺎﻝﻲ )ﺍﻝﺘﺭﺍﻨﺴﻴﻨﺩﻴﻨﺘﺎﻝﻲ( ﻝﻜﻴﻨﻭﻨﺘﻪ‪.‬‬ ‫ﺦ ﺍﻷﻜﺒـﺭ" ﻤـﻥ‬ ‫ﻑ "ﺍﻝﺸﻴ ِ‬ ‫ﻲ ﻨﻭﺤﹰﺎ ﻴﺒﻘﻰ ﻤﻬﻤﹰﺎ ﻷﻨﻪ ﻴ‪‬ﺨ ‪‬ﺒ ‪‬ﺭﻨﹶﺎ ﺒﺄﺸﻴﺎ ٍﺀ ﻋﻥ ﻤﻭﻗ ِ‬ ‫ﻥ ﻋﺭﺒ ِ‪‬‬ ‫ﻥ ﺍﻝﻨﺤﻭ ﺍﻝﺫﻱ ﻴﺭﻯ ﻋﻠﻴ ِﻪ ﺍﺒ ‪‬‬ ‫ﺇ‪‬‬ ‫ﻋﻨﹾ ‪‬ﺩ ‪‬ﻩ ﻋﻠﻰ ﺃﻨﹼﻬﺎ ﻤﺸﻜﻠﺔ ﺒل ﻋﻠـﻰ‬ ‫ﻥ ﺍﻝﻜﺜﺭ ﹶﺓ )ﺍﻝﺘﹼﻌﺩ‪‬ﺩﻴ‪‬ﺔ( ﻝﻡ ﹸﺘ ‪‬ﺭ ِ‬ ‫ﻻ ﻭﺘﺨﺼﻴﺼﺎﹰ‪ ،‬ﺃ ‪‬‬ ‫ﺍﻹﻝﺘﺒﺎﺱ‪ .‬ﻭﻤﻥ ﺘﻠﻙ ﺍﻷﺸﻴﺎﺀ‪ ،‬ﺃ ‪‬ﻭ ﹰ‬ ‫ﻱ ﺍﻝﻤﺅﺩ‪‬ﻱ‬ ‫ﻀﺭ‪‬ﻭ ِﺭ ‪‬‬ ‫ﺱ ﺍﻝ ‪‬‬ ‫ل ﺍﻝﻤﻨﺸﻭﺩ‪ .‬ﻭﺫﻝﻜﻡ ﻷﻨﹼﻪ‪ ،‬ﻓﻲ ﻓﻬﻡ ﺍﺒﻥ ﻋﺭﺒﻲ‪ ،‬ﻻ ﻴﺘﺄﺘﹼﻰ ﺍﻹﻝﺘﺒﺎ ‪‬‬ ‫ﺃﻨﻬﺎ ﻭﺴﻴﻠﺔ ﺴﺎﺌﻘﺔ ﺇﻝﻰ ﺍﻝﺤ ّ‬ ‫ل ﺍﻝﻜﺜﺭﺓ )ﺍﻝ ﹼﺘ ‪‬ﻌﺩ‪‬ﺩﻴ‪‬ﺔ( ﻭﻗﺩ ﺘﻤﺜل ﺫﻝﻙ‪ ،‬ﻓﻲ ﺤﺎﻝﺔ ﻨﻭﺡ‪ ،‬ﻓـﻲ ﻜﺜـﺭﺓ )ﺘﻌﺩﺩﻴـﺔ(‬ ‫ﻲ ﺇﻻ ﻋﺒﺭ ﺴﺒﻴ ِ‬ ‫ﺇﻝﻰ ﺍﻝﺘﹼﻁ ‪‬ﻭ ِﺭ ﺍﻝﺭ‪‬ﻭﺤ ‪‬‬ ‫ﺍﻷﻭﺜﺎﻥ ﺍﻝﻤﺴﺒﺒﺔ ﻝﻠـ"ﺍﻹﺨﺘﻼﻁ" ﻓﻴﻤﺎ ﺒﻴﻥ ﻗﻭ ِﻡ ﻨﻭﺡ‪ .‬ﻓﻘﻁ ﺍﻹﺨﺘﻼﻁ )ﺍﻹﻝﺘﺒﺎﺱ(‪ -‬ﻴﻘﻭل ﺍﺒﻥ ﻋﺭﺒﻲ‪ -‬ﻫـﻭ ﻤـﺎ‬ ‫ﻥ ﻤﻭﻀﻭﻋﹰﺎ ﻭﺍﺤﺩﹰﺍ ﻝﻠﻌﺒﺎﺩﺓِ ﻻ ﻴﻜﻥ ﻜﺎﻓﻴﹰﺎ ﺇﺫ ﻫﻭ ﻴﺨﺩﻉ ﺍﻝﺠﺎﻫل ﺒﻭﻫ ِﻡ‬ ‫ﻴﺴﺘﻁﻴﻊ ﺃﻥ ﻴﻘﺭﺒﻨﺎ ﺃﻜﺜﺭ ﻤﻥ ﺍﷲ‪ .‬ﻭﺫﻝﻜﻡ ﻷ ‪‬‬ ‫ﺡ ﻤﻌ ‪‬ﻴﻥٍ‪ ،‬ﻴ ِﻜ ﱡ‬ ‫ﻭﻀﻭ ٍ‬ ‫ﺱ ﺇﻨﹼﻤﺎ ﻫـﻭ‬ ‫ﻑ ﻋﻥ ﺘﺼ ‪‬ﻭ ِﺭ ﻓﻜﺭ ﹰﺓ ﻤﺭﻜﹼﺒ ﹰﺔ ﻋﻥ ﺍﷲ‪ ،‬ﺜﻡ ﻫﻭ ﻴﺠﻌ ُل ﺫﻭ ﺍﻝﻌﻘﻴﺩﺓ ﻴﻔﻠ ﹼﻜ ‪‬ﺭ ﺒﺄ ‪‬ﻥ ﺍﻝﻤﻘ ‪‬ﺩ ‪‬‬ ‫ﻥ ﺤﺘﹼﻰ ﻴ‪‬ـﺴﺘﺩﻋﻰ‬ ‫ل ﺃﻭ ﺍﻝﺭ‪‬ﺴ ِﻡ ﺍﻝﺫﻱ ﻜﺎﻥ ﻋﺎﺒﺩﹰﺍ ﻝﻪ‪ .‬ﻭﺫﻝﻜﻡ ﻷﻨﻪ ﻤﺎ ﺃﻥ ﺘﺘﺒﺩ‪‬ﻯ ﺘﻌﺩ‪‬ﺩ ‪‬ﻴﺔﹲ ﻓﻲ ﺍﻷﻭﺜﺎ ِ‬ ‫ﻤﻘﺼﻭﺭ‪ ‬ﺍﻝﺘﻤﺜﺎ ِ‬ ‫ﻤﻭﻀﻊ ﺍﻝﻤﻘﺩ‪‬ﺱ‪ -‬ﻭﺒﺎﻝﺘﺎﻝﻲ ﻁﺒﻴﻌﺔ ﺍﻝﻤ‪‬ﻘﺩ‪‬ﺱ ﺫﺍﺘﻬﺎ‪ -‬ﻝﻠﻤﺴﺎﺀﻝﺔ‪ .‬ﻓﺎﻹﻝﺘﻬﺎ ‪‬ﺀ ﻴ‪‬ﺼ ‪‬ﻴ ‪‬ﺭ ﻫﻨﺎ ﺃﺩﺍ ﹰﺓ ﻀ ‪‬ﺩ‪-‬ﻤﻴﺘﺎﻓﻴﺯﻴﻘﻴـﺔ‪ ،‬ﺃﻱ‬ ‫ﺱ ﺍﻝـﺫﻱ‬ ‫ﺙ ﻓﻬ ٍﻡ ﺃﻜﺜ ‪‬ﺭ ﺤﺭ ‪‬ﻴ ﹰﺔ ﻝﻸﺸـﻴﺎﺀ‪ .‬ﻭﺍﻹﻝﺘﺒـﺎ ‪‬‬ ‫ﻥ ﺇﻝﻰ ﺤﻴ ﹸ‬ ‫ﺃﺩﺍﺓ ﺘﹸﺴﺘﻌﻤل ﻝﺭﻓ ِﻊ ﺍﻝﻭﺍﻋﻴ ِﺔ ﻭﻨﺯﻋﻬﺎ ﻤﻥ ﺤ ‪‬ﻴ ٍﺯ ﻤﻌ ‪‬ﻴ ٍ‬ ‫ﺹ ﺃﻜﺜـ ‪‬ﺭ‬ ‫ﺽ ﻓﻴﻪ ﻨﺯﻭﻋﹰﺎ ﻨﺤـﻭ ﺘﻘـ ‪‬‬ ‫ﻴﺨﺘﺒﺭﻩ ﺍﻝﻤﺅﻤﻥ ﻋﻨﺩ ﻤﻭﻗﻑ ﺘﻌﻘﹼﺩ )ﺃﻭ‪ ،‬ﻗل‪ ،‬ﹶﺘ ‪‬ﺭﻜﹼﺏ( ﺍﻹﺤﺘﻤﺎﻻﺕ ﻫﺫﺍ ﻴﺤ ‪‬‬ ‫ﻕ‬ ‫ﻥ ﺍﻝﺤـ ﱠ‬ ‫ﻲ ﺍﻷﻫﻤﻴ‪‬ـ ﹸﺔ ﻤـﻥ ﺃ ‪‬‬ ‫ﻕ ﺍﻝﻜﻠ ‪‬‬ ‫ﺹ ﺴﻭﻑ ﻴﻘﻭﺩﻩ )ﻜﻤﺎ ﻴﺅﻤﻥ ﺍﻝﺸﻴﺦ( ﺇﻝﻰ ﺍﻝﺘﺤﻘ ِ‬ ‫ﺇﺨﻼﺼﹰﺎ ﻓﻲ ﻁﺒﻴﻌ ِﺔ ﺍﷲ‪ ،‬ﺘﻘ ‪‬‬ ‫ل ﻭﺃﻴ‪‬ﻤﺎ ﺸﻲﺀ‪.‬‬ ‫ﺤﺎﻀﺭ‪ ‬ﻓﻲ ﺃﻴ‪‬ﻤﺎ ﻤﺤ ﱟ‬ ‫ﻥ ﻤﻘﻭﻝﺔ "ﺍﻝﻼ ﻨﻬﺎﺌﻴﺔ" ﺘﺅﺩ‪‬ﻱ ﺩﻭﺭﹰﺍ ﻤﻬﻤﹰﺎ ﻭﻤﺭﻜﺯﻴﹰﺎ ﻓﻲ ﻓﻜﺭﻱ ﺠﺎﻙ ﺩﺭﻴـﺩﺍ‬ ‫ﻑﺃ‪‬‬ ‫ﻫﻨﺎ‪ ،‬ﺨﺼﻭﺼﺎﹰ‪ ،‬ﻴﺭﻯ ﺍﻝﻤﺭ ‪‬ﺀ ﻜﻴ ﹶ‬ ‫ﻭﺍﺒﻥ ﻋﺭﺒﻲ ﻤﻌﹰﺎ‪ .‬ﻓﺄﺸﻜﺎل ﻤﺎ ﻫﻭ ﺤﻘﻴﻘﻲ‪ ،‬ﻜﻤﺎ ﺍﻝﻤﻌﺎﻨﻲ ﺍﻝﻤﻤﻜﻨﺔ ﻝﻠﻨﺹ‪ ‬ﺍﻝﺘﻔﻜﻴﻜﻲ‪ ،‬ﻻ ﻨﻬﺎﺌ ‪‬ﻴ ﹰﺔ ﻓﻲ ﺍﻝﻌﺩﺩ‪ ،‬ﻓﻠـﻴﺱ‬ ‫ﺱ ﻋﻠﻴﻬﺎ ﻝﻌﺒﺔ ﺍﻹﺨﺘﻼﻑ )ﺩﺭﻴـﺩﺍ ‪(22 :1982‬‬ ‫ﻫﻨﺎﻝﻙ ﻤﻥ ﺤ ‪‬ﺩ ﻝـ"ﺭﻗﻌﺔ ﺍﻝﺸﻁﺭ ﺍﻝﺘﻲ ﻻ ﻗﻌﺭ ﻝﻬﺎ" ﻭﺍﻝﺘﻲ ﺘﹸﻤﺎﺭ ‪‬‬ ‫ﻙ ﻤﻥ ﺤﺩ‪ ،‬ﻜﺫﻝﻙ‪ ،‬ﻝﺒﺤﻭ ِﺭ ﺍﷲ ﺍﻝﻤﺤﻴﻁﺔ ﺍﻝﻼ ﻨﻬﺎﺌﻴﺔ )ﻓـ"ﺍﷲ ﻴﻤﻠﻙ ﻋﻼﺌﻕ‪ ،‬ﻭﺠﻭﻩ ﻭﺤﻘـﺎﺌﻕ‬ ‫ﺒﺄﻜﺜ ِﺭ ﻤﻤﺎ ﻝﻴﺱ ﻫﻨﺎﻝ ‪‬‬ ‫ﻁ ﺍﻝـﺫﻱ‬ ‫ﻥ ﺍﻹﺨـﺘﻼ ﹶ‬ ‫ﻝﻴﺱ ﻝﻬﺎ ﻤﻥ ﻗﻴ ٍﺩ ﺃﻭ ﺤ ‪‬ﺩ ]ﺸﻴﺘﻴﻙ ‪156 :1989‬؛ ﻴﺤﻴﻰ‪ .([5 .671 .11 :‬ﻭﺫﻝﻜﻡ ﻴﺒﻴ‪‬ﻥ ﺃ ‪‬‬ ‫ﻱ ﻴ‪‬ﺭﻯ‪ ،‬ﻤﻥ ﻗِﺒل ﺠﺎﻙ ﺩﺭﻴﺩﺍ ﻭﺍﺒﻥ ﻋﺭﺒﻲ ﻤﻌﺎﹰ‪ ،‬ﻋﻠﻰ ﺃﻨﹼـ ‪‬ﻪ‬ ‫ﺹ ﺍﻝﺠ‪‬ﺎﻙ ﺩﺭﻴﺩ ‪‬‬ ‫ﻲ‪/‬ﺍﻝ ﹼﻨ ‪‬‬ ‫ﻴﺘﺭﺘﹼﺏ ﻋﻠﻰ ﻻ ﻨﻬﺎﺌﻴ ِﺔ ﺍﻝﺤﻘﻴﻘ ‪‬‬ ‫ﻑ ﺭﺍﺩﻴﻜﺎﻝ ‪‬ﻴﹰﺎ ﻋﻥ ﺍﻵﺨﺭ‪ .‬ﻓﻌﻨﺩ ﺩﺭﻴﺩﺍ ﻝﻡ ﺘﻜﻥ‬ ‫ل ﻤﻨﻬﻤﺎ‪ ،‬ﺇﻝﻰ ﺍﺘﹼﺠﺎ ٍﻩ ﻤﺨﺘﻠ ٍ‬ ‫ﺸﻲﺀ‪ ‬ﻤﺭﻏﻭﺏ‪ ‬ﺘﻤﺎﻤﹰﺎ ﺭﻏﻡ ﺘﺄﺩﻴﺘﻪ‪ ،‬ﻋﻨﺩ ﻜ ﱟ‬ ‫‪20‬‬ ‫‪Société Soudanaise des Etudes et Recherches en Arts, Lettres et Sciences Humaines‬‬ ‫‪Sudanese Society for Research in Arts and Humanities‬‬ ‫ا   ا  دا رات وا  ث  اداب وا  ن وا‬ ‫‪www.sudan-forall.org‬‬ ‫م ا‬

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