‫ﻋﻨﻪ‪ .‬ﻭﻤﻥ ﺒﻴﻥ ﻤﺎ ﻜﺘﺏ ﻋﻨﻪ‪ ،‬ﺁﻨﺫﺍﻙ‪ ،‬ﺴﻔﺭ ﺠﺎﻤﻲ ﺍﻝﺨﺎﺹ ﺍﻝﻤﺴﻤﻰ "ﻨﻘـﺩ ﺍﻝﻨـﺼﻭﺹ ﻓـﻲ ﺸـﺭﺡ ﻨﻘـﺵ‬ ‫ﺍﻝﻔﺼﻭﺹ"‪ ،‬ﺍﻝﻤﺅﻝﱠﻑ ﻓﻲ ﻋﺎﻡ ‪ 1459‬ﻭﺍﻝﻤﺘﺭﺠﻡ‪ ،‬ﻻﺤﻘﹰﺎ ﻭﺇﻝﻰ ﺍﻹﻨﺠﻠﻴﺯﻴﺔِ‪ ،‬ﻤﻥ ﻗﺒل ﻭﻴﻠﻴﺎﻡ ﻕ‪ .‬ﺠﻴﺘﻴﻙ[‪ .‬ﻗﺩ ﺃﺒﺎﻥ‬ ‫ﻲ ﻤـﻥ ﻜﺘـﺎﺏ‬ ‫ﺠﺎﻤﻲ‪ ،‬ﺃﺴﺎﺴﺎﹰ‪ ،‬ﻭﺭﻭﺩ ﺜﻼﺜﺔ ﺃﻨﻭﺍﻉٍ‪ ،‬ﺃﻭ ﺸﻜﻭلٍ‪ ،‬ﻤﻥ ﻤﻌﻨﻰ ﺍﻹﻝﺘﺒﺎﺱ )ﺍﻝﺤﻴﺭﺓ( ﻓﻲ ﺍﻝﻔﺼل ﺍﻝﺨﺘﺎﻤ ‪‬‬ ‫"ﺍﻝﻔﺼﻭﺹ"‪ .‬ﺃﻭﻝﻰ ﺘﻠﻙ ﺍﻝﺸﻜﻭل ﻤﻥ ﺍﻝﺤﻴﺭﺓ ﻫﻲ ﻤﺎ ﺴﻤ‪‬ﺎﻫﺎ ﺠﺎﻤﻲ "ﺤﻴﺭﺓ ﺍﻝﻤﺒﺘﺩﺌﻴﻥ" )ﺠﻴﺘﻴـﻙ ‪.(91 :1982‬‬ ‫ﺘﻠﻙ "ﺍﻝﺤﻴﺭﺓ"‪ ،‬ﻴﻘﻭل ﺠﺎﻤﻲ‪ ،‬ﺇﻨﻤﺎ ﻫﻲ "ﺤﻴﺭﺓﹲ ﻋﺎ ‪‬ﻤﺔﹲ"‪ ،‬ﺍﻝﺘﺒﺎﺱ‪ ‬ﻋﺎ ‪‬ﻡ ﻗﺩ ﻴﺸﻌﺭ ﺒﻪ ﻤﻌﻅﻡ ﺃﺼﺤﺎﺏ ﺍﻹﻴﻤﺎﻥ؛ ﺇﻨﻬـﺎ‬ ‫ﻲ ﻋﺎﺩ ﹰﺓ ﻤـﺎ‬ ‫ﺱ ﺴﺒﻴلٍ ﻋﻠﻴﻪ ﻴﺭﺘﺤﻠﻭﻥ‪ ،‬ﻝﺫﺍ ﻫ ‪‬‬ ‫ﺍﻀﻁﺭﺍﺏ ﺃﻭﻝﺌﻙ ﺍﻝﺫﻴﻥ ﻴﻨﺸﺩﻭﻥ ﺍﻝﻤﻌﻨﻰ ﻝﻜﻨﻬﻡ ﻻ ﺍﻋﺘﻘﺎﺩ ﻝﻬﻡ ﺃﻭ ﺤ ‪‬‬ ‫ﻥ ﻤﺎ" )ﺍﻝﻤﺭﺠﻊ ﺍﻝﺴﺎﺒﻕ‪ .(91 -‬ﻋﻨﺩ "ﺍﻝﺴﻭﺍﺩ ﺍﻷﻋﻅ ِﻡ" ﻤﻥ ﺍﻝﻨﺎﺱ‪-‬‬ ‫ل ﺤﺎﻝﹸﻬﺎ ﺒـ"ﺸﺤﺫ ﻗﻭﺓ ﺍﻝﺘﺼﻤﻴﻡ ﻓﻲ ﻨﺸﺩﺍ ٍ‬ ‫ﻴ‪‬ﺯﺍ ُ‬ ‫ل ﺤﺎلٍ‪ ،‬ﻴ‪‬ﻭﺩﻱ ﺒﺒﻌﺽ ﺍﻝﻨﺎﺱ ﺇﻝﻰ ﺍﺨﺘﺒﺎﺭ ﻤﺭﺤﻠ ٍﺔ ﺜﺎﻨﻴ ٍﺔ ﻤﻥ‬ ‫ﻙ ﻴﺅﺩﻱ ﻝﻠﺴﻜﻴﻨ ِﺔ‪ .‬ﻝﻜﻨﻪ‪ ،‬ﻋﻠﻰ ﻜ ّ‬ ‫ﻴﺴﺘﻁﺭ ‪‬ﺩ ﺠﺎﻤﻲ‪ -‬ﺫﻝ ‪‬‬ ‫ﻑ ﺠﺎﻤﻲ‪ ،‬ﻤﺴﺒﺒﺔ ﻤﺒﺩﺌﻴﹰﺎ ﺒﻨﻅ ِﺭ ﺃﻭﻝﺌﻙ ﻓﻴﻤﺎ ﺤـﻭﻝﻬﻡ ﻭﺭﺅﻴـﺘﻬﻡ ﺃﻥ‬ ‫ﺍﻝﺤﻴﺭﺓ )ﺍﻹﻝﺘﺒﺎﺱ(‪ .‬ﻭﺘﻠﻙ ﺍﻝﻤﺭﺤﻠﺔ‪ ،‬ﻓﻲ ﺸﻭ ِ‬ ‫ﻕ ﻋﺩﺩﺍ"‪ ،‬ﺍﻝﺸﻲﺀ ﺍﻝﺫﻱ ﻴ‪‬ﺼ ‪‬ﻴ ‪‬ﺭ ﻤﻥ ﻴﻜﻥ ﻤﺅﻤﻨﹰﺎ ﻤﻨﻬﻡ ﻤﻠﺘﺒﺴﹰﺎ ﻓﻲ ﺫﺍﺘـﻪ ﻭﻏﻴـ ‪‬ﺭ‬ ‫ﺫﻭﻱ ﺍﻝﻌﻘﻴﺩﺓ "ﻗﺩ ﺍﻨﺸﻘﻭﺍ ﺇﻝﻰ ﻓﺭ ٍ‬ ‫ﺤ ﹰﺔ‪ .‬ﻭﺇﺯﺍﻝﺔ ﻫﺫﻩ ﺍﻝﻬﻴﺌﺔ ﻤﻥ ﺍﻝﺘﺤﻴ‪‬ـﺭ‬ ‫ﻙ ﻫﻲ‪ ،‬ﻓﻲ ﺍﻝﺤﻕﹼ‪ ،‬ﺍﻷﻜﺜ ‪‬ﺭ ﺍﺴﺘﻘﺎﻤ ﹰﺔ ﺃﻭ ﺼ ‪‬‬ ‫ﻱ ﻋﻘﻴﺩ ٍﺓ ﻤﻥ ﻋﻘﺎﺌﺩ ﺃﻭﻝﺌ ‪‬‬ ‫ﻑﺃ ‪‬‬ ‫ﻋﺎﺭ ٍ‬ ‫ﻲ ﻤﻥ ﻋﻨ ‪‬ﺩ ﻭﺠ ٍﻪ ﺃﻭ‬ ‫ﺘﺘﻡ‪ ،‬ﻋﻨﺩ ﺠﺎﻤﻲ‪" ،‬ﺤﻴﻨﻤﺎ ﻻ ﺘﺒﻘﻰ ﻫﻨﺎﻝﻙ ﺭﻏﺒﺔﹲ ﻓﻲ ﻨﻔﺱ ﺍﻝﻤﻌﺘﻘﺩ ﻷﻥ ﻴﺘﻬﻴ‪‬ﺄ ﻝﻪ ﺍﻝﺤﻀﻭﺭ ﺍ���ﻝﻬ ‪‬‬ ‫ل ﻫﺎﺘﻴﻙ ﺍﻝـﺸﻜﻭل ﻤـﻥ‬ ‫ﻕ ﻫﺠﺭﺍﻥ ﺍﻝﻤﻌﺘﻘﺩ ﻝﻜ ّ‬ ‫ﻥ ﺒﺫﺍﺘﻴﻬِﻤﺎ )ﺍﻝﻤﺭﺠﻊ ﺍﻝﺴﺎﺒﻕ‪ .(92 -‬ﺁﻨﻤﺎ ﻴﺘﺤ ﹼﻘ ﹸ‬ ‫ل ﻨﻅ ٍﺭ ﻤﻌﻴ‪‬ﻨﻴ ِ‬ ‫ﻤﺤ ﱢ‬ ‫ﻱ ‪ -isms‬ﺍﻝﻤﺘﺭﺠﻡ[ ﻴﺒﻠﻎ ﺍﻝﻤ‪‬ﻌﺘ ِﻘ ‪‬ﺩ ﻤﺎ ﻴﺴﻤﻴﻪ ﺠﺎﻤﻲ ﻤﺭﺤﻠﺔ "ﺃﻫل‬ ‫ﺍﻝﻤﻨﻅﻭﺭﺍﺕ ﻭﺍﻝـ"ﺍﻹﻴ‪‬ﺎﺕ" ]ﻓﻲ ﺍﻝﻨﺹ ﺍﻹﻨﺠﻠﻴﺯ ‪‬‬ ‫ﺍﻝﺤﻴﺭﺓ ﺍﻝﻨﻬﺎﺌﻴ ِﺔ" )ﺍﻝﻤﺭﺠﻊ ﺍﻝﺴﺎﺒﻕ‪.(93 -‬‬ ‫ﻥ ﺫﻝﻙ‪ ،‬ﻋﻨﺩ ﺠﺎﻤﻲ‪ ،‬ﻤﻘﺎﻡ‪ ‬ﻻ ﻴﺴﺘﻁﻴﻊ ﺘﺠﺎﻭﺯﻩ ﺤﺘﻰ "ﺃﻋﻅﻡ ﺍﻝﻤﺴﺘﻨﻴﺭﻴﻥ ﺭﻭﺤﻴـﹰﺎ"‪،‬‬ ‫ﻭﻤﻥ ﺍﻝﺒﺎﻋﺙ ﻋﻠﻰ ﺍﻹﻫﺘﻤﺎﻡ ﺃ ‪‬‬ ‫ﻓﺄﻭﻝﺌﻙ‪ ،‬ﻓﻲ ﺸﻭ ِﻓﻪِ‪" ،‬ﻻ ﻴﻔﺘﺅﻭﻥ ﻴﺘﺭﻗﻭﻥ ﻓﻲ ﻤﺩﺍﺭﺠ ِﻪ ﺃﺒﺩﺍﹰ‪ ،‬ﻓﺄﺒﺩﺍ"‪ .‬ﻭﺇﺫ ﻴﻜﺘﺏ ﺒﻌﺩ ﻤﺎ ﻴﺸﺎﺭﻑ ﻤﺎﺌﺘﻴﻥ ﻋﺎﻤﹰﺎ ﻤﻨﺫ‬ ‫ل‬ ‫ﻲ ‪‬ﻤﺠ ٍ‬ ‫ل ﻨﻬﺎﺌ ‪‬‬ ‫ﻋﻬﺩ "ﺍﻝﻔﺼﻭﺹ" ﻴﻅل ﺠﺎﻤﻲ ﻴﺭﻯ "ﻤﺘﻘﺩﻤﻪ" ﻫﺫﻱ ﻝﻴﺱ ﻤﺜل ﺠﺴﺭ ﻤﺅﻗﺕ ﻤﺅﺩ‪،‬ﻓﻲ ﻏﺎﻴﺘﻪ‪ ،‬ﺇﻝﻰ ﺤ ﱟ‬ ‫ﺽ ﻏﺭﻴﺒ ٍﺔ ﻜﺎﺌﻨ ﹰﺔ ﻓﻲ "ﻤﺎ ﺒﻌﺩ" ﺍﷲ‪ ،‬ﺤﻴﺙ ﺍﻝﻐﻨﻭﺼﻴﻭﻥ ﺍﻝﺤﻘﻴﻘﻴـﻭﻥ‬ ‫ﻝﻠﺤﻴﺭﺓ )ﻭﺍﻹﻝﺘﺒﺎﺱ( ﻭﺇﻨﻤﺎ‪ ،‬ﺒﺎﻷﺤﺭﻯ ﻤﺜل ﺃﺭ ٍ‬ ‫ل ﺍﻝﺴ‪‬ﺒل ﻭﺍﻝﺠﻬﺎﺕ‪ .‬ﺇﻨﻬﻡ‪ ،‬ﻓﻴﻤﺎ ﻴﺒﻭﺡ ﺠﺎﻤﻲ‪ ،‬ﻴِﻠﺠ‪‬ﻭﻥ‪ ،‬ﺤﻴﻨﺫﺍﻙ‪ ،‬ﻓﻲ‬ ‫ﻴﻬﻴﻤﻭﻥ‪ ،‬ﺤﺴﺏ ﻋﻼﺌﻘﻬﻡ ﻭﺘﻠﻘﺎﺀﺍﺘﻬﻡ‪ ،‬ﻋﻨ ‪‬ﺩ ﻜ ّ‬ ‫ل ﻤﺭﻗﻭﻤ ﹰﺔ ﺒﻬﺎ‪ ،‬ﻓﺤﻴﺭﺘﻬﻡ ﺘﻜﻥ‪ ،‬ﻭﻗﺘﺫﺍﻙ‪ ،‬ﻤﻥ ﺍﷲ ﺨﻠـل ﺍﷲ‪ ،‬ﻭﻓـﻲ‬ ‫ﺘﺄﻤ‪‬ﻠﻬﻡ ﺍﻝﻬﻴﻤﺎﻥ ﺒﺎﷲ‪" ،‬ﺍﻝﺼﺤﺭﺍﺀ ﺍﻝﺘﻲ ﻻ ﺴﺒ َ‬ ‫ﺍﷲ")ﺍﻝﻤﺭﺠﻊ ﺍﻝﺴﺎﺒﻕ‪.(93 ،‬‬ ‫ﺘﺠﻠﺏ ﺘﻌﻠﻴﻘﺎﺕ ﻋﺒﺩ ﺍﻝﺭﺤﻤﻥ ﺠﺎﻤﻲ ﻫﺫﻩ‪ ،‬ﺇﻝﻰ ﺍﻝﻀﻭﺀِ‪ ،‬ﺜﻼﺜﺔ ﺃﻭﺠﻪ ﻤﻬﻤﺔ ﻤﻥ "ﺤﻴﺭﺓ" ﺍﻝﺸﻴﺦ‪ .‬ﻭﺘﻠﻙ ﺃﻭﺠﻪ‪ ،‬ﻜﻤﺎ‬ ‫ﻙ ﺸﻜﻭلٌ ﻤﺨﺘﻠﻔﺔﹲ ﻤﻥ‬ ‫ﺴﻨﺭﻯ‪ ،‬ﺴﺘﻨﻌﻜﺱ ﻋﻠﻰ ﺴﻴﺭﻭﺭﺓ ﻤﻘﺎﺭﻨﺘﻨﺎ ﻝﻪ ﺒﺠﺎﻙ ﺩﺭﻴﺩﺍ‪ .‬ﻭﺃﻭل ﺘﻠﻙ ﺍﻷﻭﺠﻪ ﻫﻭ ﺃﻥ ﻫﻨﺎﻝ ‪‬‬ ‫‪17‬‬ ‫‪Société Soudanaise des Etudes et Recherches en Arts, Lettres et Sciences Humaines‬‬ ‫‪Sudanese Society for Research in Arts and Humanities‬‬ ‫ا  
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