ﻁ"
ﻥ ﻜﻠﻤ ﹶﺔ :ﺍﻹﺨﺘﻼ ﹶ
ﻕ ﻤﺘﻭﺍﺯﻴﻴﻥ .ﺇ
ﺱ ﺘﻘﺎﻁ ٍﻊ ﻭﺍﻓﺘﺭﺍ ٍ
ﻁ" ﺒﻤﺎ ﻓﻴ ِﻪ ﻤﻥ ﺤ
ﺕ ﺍﻝﻜﻼ ِﻡ ﻋﻥ "ﺍﻹﺨﺘﻼ ِ
ﺍﻝﻤﺘﻨﺎﻗﻀ ﹶﺔ ﻻﺸﺘﻘﺎﻗﺎ ِ
ﻑ ﺒﻪ ﻭﻀﻌﻴ ﹰﺔ
ﻑ ﻝﻬﺫﺍ ﺇﺫ ﻨﺼ ﹸ
ﻰ ﻤﺨﺎﻝ ٍ
ﻙ ﺒﻤﻌﻨ
ل ﺫﻝ
ﺏ ﺍﻷﺸﻴﺎ ِﺀ ﻤﻌﹰﺎ" .ﻝﻜﻨﹼﻨﺎ ﻏﺎﻝﺒﹰﺎ ﻤﺎ ﻨﺴﺘﻌﻤ ُ
ﺘﻌﻨﻲ ،ﺤﺭﻓ ﻴﺎﹰ" ،ﺘﻭﺍ ﹸﺜ
ﺕ ﺍﻵﻥِ ،ﻤﺨﺘﻠﻁ ﹰﺔ ﻭﺃﻜﺜ ﺭ ﺒﺴﺎﻁ ﹰﺔ.
ل ﺍﻷﺸﻴﺎ ﺀ ،ﻓﻲ ﺫﺍ ِ
ﻑ ﻴﺠﻌ ُ
ﺕ ﻭﺍﺤﺩ .ﺍﻹﺨﺘﻼ ﹸ
ﺘﺤﺩﺜﺙ ﻓﻴﻬﺎ ﺃﺸﻴﺎﺀ ﻋﺩﻴﺩﺓ ﻓﻲ ﻭﻗ ٍ
ﺸﺘﹼﻰ .ﻝﻜﻨﹼﻪ ،ﻓﻲ
ﺕ ﻭﻴﻔﻜﹼﻙ ﺍﻝﺒﻨﺎﺀﺍﺕ ﺇﻝﻰ ﻤﻜﻭﻨﺎﺘﻬﺎ ﺍﻝ ﹼ
ﺏ ﺇﻝﻰ ﺠﺯﻴﺌﺎﺘﻬﺎ ،ﻴﺴﺘﻐﻨﻲ ﻋﻥ ﺍﻝﺘﻌﻘﻴﺩﺍ ِ
ﺇﻨﹼﻪ ﻴﻜﺴﺭ ﺍﻝﺘﺭﺍﻜﻴ
ﻕ ﻤﻨ ﻪ
ﻲ( ﻜﻲ ﻴﻁﻠ ﹶ
ﻲ )ﺍﻷﺴﺎﺴ
ﺴ ﻪ ﺍﻷﻭﻝ
ﻱ ﻨﺹ ﻤﺴﺘﻌﺼﻴﹰﺎ ﻋﻠﻰ ﺍﻝﻘﺭﺍﺀ ِﺓ ﺇﺫ ﻫﻭ ﻴﻌﺠ ﺯ ﺤ
لﺃ
ﺕ ﺍﻝﻭﻗﺕِ ،ﻴﺠﻌ ُ
ﺫﺍ ِ
ﻥ ﺃﻥ ﻴﻘﺎلَ ،ﻤﻥ ﺒﻌ ِﺩ ﺫﻝﻙ،
ﺙ ﻻ ﻴﻤﻜ
ﺏ ﻋﻨﻪ ،ﺒﺫﻝﻙ ،ﺩﻓﹼﺘ ﻪ ﺍﻝﺴﻴﻤﻭﻁﻴﻘﻴﺔ ﺒﺤﻴ ﹸ
ﻓﺭﻁﹰﺎ ﻤﻥ ﺍﻝﻤﻌﺎﻨﻲ ﺍﻝﺜﺎﻨﻭ ﻴ ِﺔ ﻭﻴﻐﺼ
ﻋﻨ ﻪ ﺃ ﹼﻨ ﻪ ﻜﺎﻥ ﻤﺒﺤﺭﹰﺍ ﻓﻲ ﺍﺘﹼﺠﺎ ٍﻩ ﻤﺨﺼﻭﺹ.
ل ﺍﻝ ﹼﻨﺹ ،ﻴﺸﺘﻐلُ ،ﺒﻭﻀﻭﺡٍ ،ﻋﻠﻰ
ل/ﻴﺨﻠﺨ ُ
ﺙ ﻜﻭﻨ ِﻪ ﺸﻴﺌﹰﺎ ﻴﺤﻠﺤ ُ
ﻫﺫﺍ ﺍﻝﺘﺄﻜﻴ ﺩ ﻋﻠﻰ ﺍﻹﺨﺘﻼﻑ ،differenceﻤﻥ ﺤﻴ ﹸ
ﻥ
ل ﻜﻠﻤ ِﺔ ﻨﺹ )ﺍﻝﺘﻲ ﻫﻲ ﻤﻨﺤﺩﺭﺓ ﻤﻥ ﺍﻝﻜﻠﻤﺔ ﺍﻝﻼﺘﻴﻨﻴﺔ ، textusﺃﻱ ﻗﻤﺎﺵ( ...ﺇ
ﻰ ﺫﻱ ﺼﻠ ٍﺔ ﺒﺄﺼﻭ ِ
ﻤﻌﻨ
ﻥ ﺍﻝﺘﹼﺸﻅﹼﻲ ﻴﻔﺘﺢ ،ﺒﻼ ﻨﻬﺎﻴﺔٍ ،ﺸ ﹼﻘﹰﺎ ﻓﻲ ﺍﻝﻜﺘﺎﺒ ِﺔ ﻻ
ﺠ ﻪ" .ﺇ
ل ﻨﺴ
ﻑ ،ﺃﺒﺩ ﻴﺎﹰ ،ﺒﺄﻥ ﻴﺤﻠﺤ َ
ﺹ ﻗِﻤﺎﺵﹲ ﻴﻬ ﺩ ﺩ ﺍﻹﺨﺘﻼ ﹸ
ﺍﻝ ﹼﻨ
ﻁ ﻜﻤﺎ ﻜﺎﻥ" )ﺩﺭﻴﺩﺍ "le dissemination ouvre, san fin, cet :(26 :1972
ﻴﻤﻜﻥ ﻝﻪ ،ﻤﻥ ﺒﻌﺩ ،ﺃﻥ ﻴﺨﺎ ﹶ
ﺏ ﻤﻥ
ﻥ ﻝ ﻪ ﺃﻥ ﻴﻬﺭ
ل ﻴﻤﻜ
. " accroc de l'ecriture qui ne se laisse plus recoudreﻝﻴﺱ ﻤﻥ ﻋﻤ ٍ
ﻅ
ﻥ ﺍﻝﻠﻔ ﹶ
ﻕ ﻫﻨﺎ ﺃﻥ ﻨﺫ ﹸﻜ ﺭ ﺃ
ل ﹶﺘﻤﺎ ﻤ ﻪ ...ﻤﻥ ﺍﻝﺸﹼﺎﺌ ِ
ﻫﺫﺍ ’ﺍﻝﺘﹼﺭﺘﻴﻕ‘ ،ﻫﺫﺍ ﺍﻹﻤﻜﺎﻥ ﺍﻝﻤﻭﺭﻭﺙ ،ﺍﻝﺤﺎﻀﺭ ﺃﺒﺩﺍﹰ ،ﻷﻥ ﻴﻬﻠﻬ َ
ﺍﻝﻌﺭﺒﻲ ﺍﻝﺫﻱ ﻴﺴﺘﻌﻤﻠ ﻪ ﺍﺒﻥ ﻋﺭﺒﻲ ،ﺒﻜﺜﺭﺓٍ ،ﻝﻺﺸﺎﺭ ِﺓ ﺇﻝﻰ ﺍﻹﻴﻤﺎﻥ )ﻭﻫﻭ ﻝﻔﻅ ﺍﻋﺘﻘﺎﺩ/ﻋﻘﻴﺩﺓ( ﻴﻠﻘﻰ ﺠﺫﺭ ﻤﻌﻨﺎ ﻩ ﻓﻲ
ﻥ "ﻤﺎ
ﻁ ﺸﻲ ٍﺀ ﻤﺎ ﺒﺈﺤﻜﺎﻡ) ﺠﻴﺘﻴﻙ .(335 :1989ﻝﺫﺍ ﺤﻴﻥ ﻴﻘﻭل ﺍﺒﻥ ﻋﺭﺒﻲ ﻜﻴﻑ ﺃ
ﻕ ﻋﻘﺩ ٍﺓ ﺃﻭ ﺭﺒ ِ
ل ﺘﻭﺜﻴ ِ
ﻓﻌ ِ
ﻥ "ﻤﺎ ﻤﻥ ﺠﻤﺎﻋ ٍﺔ ﺇﻻ ﻭﻫﻲ
ﻥ ﻤﺎ ﻴﻌﻨﻴﻪ ،ﺤﻴﻨﺫﺍﻙ ،ﺃ
ﻤﻥ ﺠﻤﺎﻋ ٍﺔ ﺇﻻ ﻭﺁﻤﻨﻭﺍ ﺒﺸﻲ ٍﺀ ﻤﺎ ،ﺒﺘﺼ ﻭ ٍﺭ ﻤﺎ ،ﺤﻭل ﺍﷲ" ﻓﺈ
ﻗﺩ ﻋﻘﺩﺕ ﻋﻘﺩ ﹰﺓ ﺒﺫﺍﺘﻬﺎ ﺤﻭل ﺍﷲ" )ﺠﻴﺘﻴﻙ 339 :1989؛ ﻴﺤﻴﻰ . (15.266.1 :ﻭﻜﻭﻥ ﺸﺄﻥ ﺍﷲ ﻫﺫﺍ ﻴﻨﺩ،
ل ﺤﺭﻜ ﹸﺔ ﺍﻹﺨﺘﻼﻑِ ،ﺍﻝﺘﻲ ﺘﻨ ﺩ-
ل/ﺘﹸﺤﻠﺤ ُ
ﻱ ﻋﻘﺩ ٍﺓ ﺃُﻨﺸﺌﺕﹾ ﺒﺸﺄﻨﻪ ،ﺘﻤﺎﻤﹰﺎ ﻜﻤﺎ ﺘﹸﺨﻠﺨ ُ
ﻙﺃ
ﺒﺎﻝﺘﺒﺎﺱٍ ،ﻋﻥ ﺃﻥ ﻴﻔ ﹼﻜ ﺭ ﻓﻴ ِﻪ ﻴ ﹸﻔ
ﺨﹶﻠﺘﹾ ﻪ.
ﺹ ﺩﺍ ﹶ
ﻱﻨ
ﻙ -ﻋﻥ ﺍﻝﻔﻜﺭ ،ﺃ
ﻜﺫﻝ
ﻥ
ﺕ ﺍﻝﺘﻲ ﻴﻌﺒﺭ ﺒﻬﺎ ﺩﺭﻴﺩﺍ ﻋﻥ ﻤﻌﻨﻴﻲ ﺍﻹﺨﺘﻼﻑ ﻭ’ﺍﻝﺘﹼﻨﺎﺜﺭ‘ )ﺍﻝﺘﹼﺸﻅﹼﻲ( ﻴﻨﺒﻐﻲ ﺃﻻ ﻴﻨﺴﻰ ﺃ
ﺭﻏﻡ ﺘﻨﻭﻉ ﺍﻹﺴﺘﻌﺎﺭﺍ ِ
ﻥ
ﺸﻭﺵ .ﺇ
ﻥ ﺍﻝ ﹼﻨﺹ ،ﻓﻲ ﺤ ﺩ ﺫﺍ ِﺘﻪِ ،ﺴﺎﺒﻕ ﺍﻝﺘﹼﺒﻠﺒل ﻭﺍﻝ ﹼﺘ ﹶ
ﻑﺃ
ﺹ ﻭﺇﻨﹼﻤﺎ ﻴﻅﻬ ﺭ ﻜﻴ ﹶ
ﺵ )ﻋﻤﺩﹰﺍ( ﺍﻝ ﹼﻨ
ﺩﺭﻴﺩﺍ ﻫﻨﺎ ﻻ ﻴﺸ ﻭ ﹸ
ل
ﺨٍ
ﻱ ﺘﺩ ﹼ
ﻕﺃ
ﺹ" )ﺩﺭﻴﺩﺍ (317 :1982ﻴﺴﺒ ﹸ
ﻱ ﻝﻠ ﹼﻨ
ﺡ ﺍﻝﺠﻭﻫﺭ
ﻙ ﻋﻤﻠ ﻴﺔﹲ ﻜﺸﻔ ﻴﺔﹲ ﻭﻝﻴﺴﺕ ﺘﻨﺒﻴﻬﻴﺔ .ﻓـ"ﺍﻹﻨﺯﻴﺎ
ﺍﻝﺘﹼﻔﻜﻴ
ﻙ ﻓﻭﻀﻰ ﺇﻝﻰ
ﺹ ﺘ ﹸﻜﻥ ،ﺩﻭﻤﹰﺎ ﻭﻤﺴﺒﻘﹰﺎ ،ﻓﻲ ﺤﺎل ﺍﻨﺯﻴﺎﺡ .ﻭﻝﺌﻥ ﻴﺠﻠﺏ ﺍﻝﺘﹼﻔﻜﻴ
ﻥ ﺍﻝﻨﺼﻭ
ﻙ ﻴﻌﻨﻲ ﺃ
ﻨﻅﺭﻱ .ﺫﺍ
ﻙ ﺍﻝﻌﻨﺎﺼ ﺭ ﺍﻝﻼﻤﻨﻀﺒﻁﺔ ﻓﻲ ﺍﻝﻨﹼﺹ ﻗﺩ ﻜﺎﻨﺕ ،ﺒﺎﺴﺘﻤﺭﺍﺭٍ ،ﻤﺎﺌﺠ ﹰﺔ ﻭﻤﺜﺎﺒﺭ ﹰﺓ
ﻥ ﺘﻠ
ﻑﺃ
ﻙ ﻓﻘﻁ ﺒﺈﻅﻬﺎ ِﺭ ﻜﻴ ﹶ
ﺹ ﻓﺫﻝ
ﺍﻝ ﹼﻨ
5
Société Soudanaise des Etudes et Recherches en Arts, Lettres et Sciences Humaines
Sudanese Society for Research in Arts and Humanities
ا ا دا رات وا ث اداب وا ن وا
www.sudan-forall.org
م ا
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